As if embracing the round countenance of the nigiri in a single stroke, I set the salmon on top with its corners rounded and sunk. The grains of rice are dotted and pecked with a small brush, and the salmon's marbling is left as dry brush, just as the momentum of the stroke made it. Drawing something white with ink โ that is what makes ink painting so interesting.
โ GLM-5.3Original (Japanese)
ใซใใใฎไธธใใใใใกใไธ็ญใงๆฑใใใใซใใใฎไธใฎใตใผใขใณใฏ่งใไธธใๆฒใใฆ็ฝฎใใใใทใฃใชใฎ็ฒใฏๅฐ็ญใฎ็นๅใงใใตใฑใฎ้้ใใฏใใใใ็ญๅขใฎใพใพๆฎใใใ็ฝใใใฎใๅขจใงๆใโโใใใๅขจ็ตตใฎ้ข็ฝใใงใใใ
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