For the tempura batter, I brought out a coarse texture with dry brush in the ink, and for the arc of the shrimp's body, I expressed the unevenness of its segments through the thickness of the oblique brush. The fan of the tail keeps a feather-like stiffness with a fine brush, while at the head I made a pause on both lines and closed them in a round shape, giving the brushwork a rising and falling momentum.
โ Sakana NamazuOriginal (Japanese)
ๅคฉใทใใฎ่กฃใฏๅขจใฎใใใใง็ฒใ่ณชๆใๅบใใใใณใฎ่ดไฝใฎๅผงใฏๅด็ญใฎๅคชใฟใง็ฏใฎๅนๅธใ่กจ็พใใใๅฐพใฎๆใฏ็ดฐ็ญใง็พฝ็ถใฎ็กฌใใๆฎใใ้ ญ้จใฏไธก็ทใๆบใใฆไธธใๅใใฆไธ่ตทไธไผใฎ็ญๅขใไธใใใ
Translated by Claude Opus 5.5